Chicago

The latest UK tour of the multi-award winning musical Chicago has opened at Milton Keynes Theatre with a razzle dazzling show the brings the sleaze and glamour of the 1920s to the stage which continues to captivate audiences.

This version strips back some of the frenetic energy of previous productions, opting instead for a measured, deliberate pace that shines a spotlight on the grit, glamour, and moral ambiguity of 1920s Chicago.

While the pace of the choreography has been slowed down, it’s the precision in storytelling that elevates this production. Every line of dialogue is crystal clear, and the performances are laced with a confident, almost seductive, calm. There’s no need to rush—this *Chicago* is here to charm, and it knows exactly how to do it.

Kevin Clifton delivers a show-stopping performance as Billy Flynn. Known for his dazzling footwork on Strictly Come Dancing, here he proves he has just as much flair in the role of Chicago’s smooth-talking, morally dubious lawyer. Clifton's portrayal is slick, charismatic, and effortlessly cool— commanding attention whenever he’s on stage. Equally commanding is Brenda Edwards as Mama Morton with her powerhouse vocals, gives a diva-esque performance that is as brassy as it is soulful, adding a layer of raw emotion to the show.

The leading duo of Djalenga Scott (Velma Kelly) and Faye Brookes (Roxie Hart) are exceptional, perfectly embodying the rivalry and charisma that propels the narrative. Both are supported by a flawless chorus line that effortlessly moves between sultry poses and sharp, disciplined movements—a hallmark of Bob Fosse's choreography.

Set against the backdrop of 1920s decadence, the story of Roxie Hart—who kills her lover in a moment of desperate passion and then manipulates the media, the public, and her fellow inmates—still feels unnervingly relevant. In an age where sensational headlines drive public opinion, Chicago delivers a stinging critique of fame, power, and the justice system. It’s easy to imagine Roxie and Velma gracing today’s tabloid covers, not just those of yesteryear.

The production’s minimalist set design, with a live jazz band on stage, is an atmospheric triumph. The band doesn’t just accompany the actors; they are an integral part of the action, adding to the show’s smoky, sultry aesthetic. The simplicity of the set allows the music and performances to shine, reminding us that Chicago is, above all, a celebration of the jazz age's seductive, dangerous allure.

With iconic numbers like Razzle Dazzle, Cell Block Tango and All That Jazz, the production has no shortage of crowd-pleasers. The songs, coupled with Fosse’s signature style, give the show its unmistakable pulse—a heady mix of sex, sass, and cynicism that has earned *Chicago* its place as the longest-running American musical in Broadway and West End history.

This is a Chicago that sizzles in its restraint, trusting the audience to lean in and savour every sly look, every jazz-infused note. It’s a masterclass in style and substance, proving once again why this musical continues to be a timeless triumph.

Photo Gallery

As this show has only opened in Milton Keynes, production photos below are taken from a previous tour.

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23. CHICAGO. Djalenga Scott 'Velma Kelly'. Photo Tristram Kenton

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